LIGHTS OUT LISTENING GROUP
A unique listening experience in almost complete darkness

Discover BANSHEES and TENERAL
29th April 2015, at 7.30pm
The Old Hairdresser’s, Opposite Stereo Renfield Lane, Glasgow, G2 6PH

© LOLG

TENERAL and BANSHEES
will be broadcast by RADIOPHRENIA
Online and 24/7 across Glasgow on 87.9FM
Midnight April 12th, 2015 — Midnight April 19th, 2015

Radiophrenia is a temporary art radio station – a week-long exploration into current trends in sound and transmission arts. Broadcasting live from Glasgow’s Centre for Contemporary Arts, it aims to promote radio as an art form, encourages challenging and radical new approaches to the medium. Mark Vernon and Barry Burns manage the station and Creative Scotland Quality Production Award, with additional support from CCA Glasgow, are founding it.

As an integral part of this celebration of the best and most innovative ideas in radio art, Radiophrenia also present a series of specially commissioned ‘live-to-air’ performances. Selected artists will create a work that is simultaneously a live performance and a radio broadcast, reflecting the fact that there will be an audience present in the theatre in addition to an unseen audience of listeners at home. Commissioned artists include; Felix Kubin, The Resonance Radio Orchestra, Shelly Nadashi, Peter Lanceley, Kathryn Elkin, Nichola Scrutton, Elizabeth Veldon and Jim Colquhoun. Performances will take place at 7pm daily (doors 6.45) in the CCA Theatre space. Each of these events is free and open to the public. Free but ticketed: Tickets available from CCA Box Office

Photo: W.A. Tolson by John West, CC BY 3.0

Today, day of the solar eclipse/spring equinox

URBANAUTICA is launching its French page
with the interview Eva Wollenberg, A Cozy Spartan
by founder Steve Bisson.

© Eva Wollenberg

prism #18
features the STRIX NEBULOSA series
on the cover and inside.

Recours au Poème
publie 5 de mes poèmes

Je vis en quasi séclusion dans l’écrin de la beauté sauvage et elle infiltre mon tempérament avec générosité et candeur. Mon rapport au langage lui-même a toujours été très idiosyncratique, oscillant entre mutisme total habité de gestes et fièvre. Une année sans parler c’était quelques fois un semblant de paix et de sécurité. Mais la foreuse de la poésie débusquait tous mes repaires et elle m’apparut très jeune comme le seul langage réellement soutenable, la source d’extases profondes, une aorte, une énigme nécessaire, un sanctuaire au sein duquel Kaspar Hauser pouvait être fleur.

© Eva Wollenberg